In writing Piccs on the Peaks, Carmen Marulanda begins with a playful allegro section which is quite cheerful and catchy. The piece then transitions to a cumbia which utilizes the smoky low register of the flute to match the unique sound of the treble flute for a contrasting middle section. Trills and percussive articulations add to this communicative section which envisions a gathering of people. Piccs on the Peaks then returns to the opening motif to end with a happy, upbeat finish.
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Liliflute Music
Latin American Music - Self Publisher
Merging Cultures Through Music!
Recent Reviews:
-The Flute Choir Collection by the Flutist Quarterly Summer 25
-Traversuras Progressions & Tonguing by PAN, the Journal of the BFS and The Flutist Quarterly 2024.
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